Stan Lee has the abilities of several different Marvel characters.The Super-Skrull has all the powers of the Fantastic Four.Aluminum Christmas Trees: If your primary exposure to the Marvel universe comes from the movies, it seems quite strange to see Spider-Man, the Fantastic Four, the Avengers, and the X-Men all in the same game.(The game even lampshades this, giving you an achievement if you pair Captain America and the Human Torch on a team with both controllers active.).And Your Reward Is Clothes: Future Foundation outfits for the Fantastic Four and Spider-Man, comic versions of the characters (such as Thor without a beard), and also features The Superior Spider-Man as an unlockable character.Surprisingly, it uses the same feature as LEGO Harry Potter, in grouping them by outfit rather than as separate characters.Animate Inanimate Object: The Statue of Liberty blinks, and head bangs during one of the race missions.When flying past the Statue on Liberty Island in free roam, she'll look at the character and wink before returning to her original position. In 2014, the DJ and producer Dave Audé – a Grammy winner whose remixes of pop hits have been club staples for more than a decade – caught a festival set by the young Norwegian producer Kygo, who had just signed to Ultra/RCA two months earlier. Kygo ignored the peppy tempos typical of mainstream dance music, choosing to focus instead on slow tracks in the past, this might have sent everyone to the beer lines, but listeners at Colorado’s Global Dance Festival took to his music in droves. It told me that they were ready for something new.” “The kids were going bananas for this slow stuff,” Audé remembers. That “something new” is now the norm in all genres of pop. The two contenders for Song of the Summer are Luis Fonsi and Daddy Yankee’s “Despacito” and DJ Khaled’s “I’m the One,” both remarkably leisurely singles that percolate below 90 beats per minute. Singer Paulette McWilliams on Her Years With Marvin Gaye, Michael Jackson, and Steely Dan Yakov Vorobyev, who invented a popular app for DJs called Mixed in Key, used the program to analyze the 25 most-streamed tracks on Spotify in 20: He found that during that period, the average tempo dropped by 23 bpm (to 90.5 bpm) and the percentage of songs above 120 bpm fell markedly from 56 percent to 12.5 percent. Part of the slowing is due to the continuing dominance of hip-hop, which now permeates every branch of music, even longtime holdouts like rock and country. “Hip-hop culture is the new pop culture, and our tempo ranges aren’t too fast,” says Sevn Thomas, who helped produce Rihanna’s Number One smash “Work.” “Rappers can really swag out on slower beats.”īut maybe there are other reasons as well: Pop culture’s insatiable appetite for the new demands a backlash against fast-moving singles, or a gloomy national moment encourages a different sort of listening. “Then as the sociopolitical climate got darker, people just weren’t in the mood to hear some upbeat bop.” “People were burnt out on uptempo, super poppy stuff like they were with hair-metal bands back in the day,” suggests Bonnie McKee, who has co-written eight crisp, kinetic Number One hits in the U.S. Slow tempos took command of the mainstream in deliberate, unhurried fashion. Kygo was picking up millions of streams on his remixes as early as 2013, but Audé locates a tipping point around the rise of sleepy dance hits like Robin Schulz’s 2014 remix of Mr. Probz’s “Waves.” Sean Ross, radio business veteran and author of the weekly Ross On Radio newsletter, suggests another possible lodestar: the songwriter Julia Michaels, who emerged as a pop force in 2015 as a co-writer on Justin Bieber’s “Sorry.” The Stereotypes, the production group who worked on Bruno Mars’ 24K Magic album from last December, believe the shift happened more recently. “We kicked the door down,” declares Ray “Charm” of the Stereotypes. “Like, ‘Yo, this shit is good!'”Īll are in agreement that sedate tempos reign supreme. “You got a formula for a pop thing right now,” asserts Felix Snow, who produced Kiiara’s Top 15 hit “Gold” and is a member of the ascendant pop group Terror Jr.
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